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Music video created with Motif from a single prompt: "Generate an industrial, dark, gothic music video." 🎬
Unlike a "black box," every layer here is fully editable—overlays, 3D text, GPU effects, and audio tracks. 🛠️
Creative control meets AI speed.
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Unlike a "black box," every layer here is fully editable—overlays, 3D text, GPU effects, and audio tracks. 🛠️
Creative control meets AI speed.
motif.ad
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Aguante el slop.
#industrial #synth #heavy #metal #electronica #argentina
instagram.com/reel/De0tDf_Bh…
#industrial #synth #heavy #metal #electronica #argentina
instagram.com/reel/De0tDf_Bh…
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A compiler fits code to its CPU. Flux fits an LLM to the machine that serves it.
flux plan measures your GPUs, CPU and storage, places every layer and expert, and keeps the fastest. Plan once, serve until the hardware changes.
flux-llm.pages.dev
flux plan measures your GPUs, CPU and storage, places every layer and expert, and keeps the fastest. Plan once, serve until the hardware changes.
flux-llm.pages.dev
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devarg retweeted
La barbarie méthodique palestinienne du 7 octobre détaillée par des preuves photographiques et scanners.
Attention contenu choquant.
Le professeur Chen Kugel, directeur du Centre national de médecine légale d'Abu Kabir en Israël, publie aujourd'hui dans Ynet des détails sés : Des clichés de scanners montrent des crânes broyés par des véhicules, nécessitant l'extraction d'ADN à partir de minuscules fragments d'os pour identifier les disparus.
- Mutilations et décapitations : Les légistes ont documenté des corps mutilés avant et après la mort, des décapitations, des visages défigurés délibérément et des tirs ciblés sur les parties génitales de victimes ligotées.
- Brûlés vifs : L'autopsie de certaines victimes a révélé la présence de suie dans la trachée, apportant la preuve scientifique irréfutable qu'elles respiraient encore au moment où le feu a été mis à leur corps.
- Mode opératoires : Les examens ont montré des tactiques coordonnées et variées selon les lieux : des ouvriers étrangers enfermés et abattus aux jambes pour qu'ils se vident de leur sang, des exécutions de personnes ligotées, ou encore l'utilisation d'accélérateurs de combustion dans les pièces sécurisées (mamad) pour les transformer "crématoriums" irrespirables.
En tout le centre a reçu plus de 3 000 sacs de dépouilles, de fragments d'os et de restes calcinés. Plus de 900 corps de victimes y ont été traités.
Photos : le crâne d'une victime du 7 octobre écrasé par des Palestiniens.
Attention contenu choquant.
Le professeur Chen Kugel, directeur du Centre national de médecine légale d'Abu Kabir en Israël, publie aujourd'hui dans Ynet des détails sés : Des clichés de scanners montrent des crânes broyés par des véhicules, nécessitant l'extraction d'ADN à partir de minuscules fragments d'os pour identifier les disparus.
- Mutilations et décapitations : Les légistes ont documenté des corps mutilés avant et après la mort, des décapitations, des visages défigurés délibérément et des tirs ciblés sur les parties génitales de victimes ligotées.
- Brûlés vifs : L'autopsie de certaines victimes a révélé la présence de suie dans la trachée, apportant la preuve scientifique irréfutable qu'elles respiraient encore au moment où le feu a été mis à leur corps.
- Mode opératoires : Les examens ont montré des tactiques coordonnées et variées selon les lieux : des ouvriers étrangers enfermés et abattus aux jambes pour qu'ils se vident de leur sang, des exécutions de personnes ligotées, ou encore l'utilisation d'accélérateurs de combustion dans les pièces sécurisées (mamad) pour les transformer "crématoriums" irrespirables.
En tout le centre a reçu plus de 3 000 sacs de dépouilles, de fragments d'os et de restes calcinés. Plus de 900 corps de victimes y ont été traités.
Photos : le crâne d'une victime du 7 octobre écrasé par des Palestiniens.
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devarg retweeted
how the IT guy looks at you when you ask him a question directly instead of submitting a ticket
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devarg retweeted
You can bookmark a webpage.
Today you can pin an entire ready-to-go computer.
Introducing Snapshot Pinning on Cyqle — your go-to setup, kept warm and waiting. Zero cold start. 🧵
Today you can pin an entire ready-to-go computer.
Introducing Snapshot Pinning on Cyqle — your go-to setup, kept warm and waiting. Zero cold start. 🧵
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devarg retweeted
“Nobody has the right to live their lives being protected from offense or from insults or from hurt feelings. It is an occupational hazard of living in society.”
— Ann Widdecombe
— Ann Widdecombe
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devarg retweeted
Turns out the real Backrooms were hiding in web archives. 👀
Internet sleuths tracked down the original location of the Backrooms image using the @waybackmachine, proving once again that preserving the web is important for internet history, folklore, and mysteries, too.
Internet sleuths tracked down the original location of the Backrooms image using the @waybackmachine, proving once again that preserving the web is important for internet history, folklore, and mysteries, too.
🎬 Backrooms (2026)
One of the internet's greatest success stories.
In May 2019, an anonymous user on 4chan posted a grainy photo of an empty room. Sickly yellow walls, harsh fluorescent lighting, damp carpet, and an overwhelming sense that something was deeply wrong. Someone g that if you're not careful, you can "noclip out of reality" and end up trapped in an endless maze of identical rooms known as the Backrooms.
Nobody knew where the photo was taken. For five years, the image spread across forums, Reddit, YouTube, and social media, evolving from a creepy image into one of the internet's most fascinating pieces of modern folklore.
Then, in May 2024, four users on Discord finally traced the image using the Wayback Machine. The photograph originated from a 2002 renovation photo taken inside a former furniture store at 807 Oregon Street in Oshkosh, Wisconsin. But by then, the truth hardly mattered. The myth had already become bigger than its origin.
The Backrooms entered a completely new phase in January 2022 when a 16-year-old filmmaker named Kane Parsons uploaded a nine-minute short film called The Backrooms (Found Footage). Having taught himself Blender and VFX techniques, Parsons transformed a niche internet creepypasta into something cinematic and terrifyingly believable. The video exploded in popularity and quickly became one of the defining horror projects of YouTube's generation.
Hollywood took notice.
Just a few years later, A24 greenlit a feature film adaptation and handed the project to Parsons himself. Operating under the codename Effigy, the production built a massive 30,000-square-foot Backrooms maze in Vancouver. The crew reportedly tested dozens of shades of yellow to recreate the unsettling atmosphere that made the original image so iconic, while the scale of the set became a story in itself.
Born in 2005, the same year YouTube launched Kane Parsons became A24's youngest director ever. At only 20 years old, he achieved something almost unimaginable: turning an internet urban legend into a major theatrical event.
The story of Backrooms is remarkable not because of where it started, but because of what it became. An anonymous image posted on a forum evolved into a collaborative online myth, inspired millions of viewers, launched the career of a young filmmaker, and eventually became a global horror phenomenon.
Few pieces of internet culture have made the journey from obscure message board post to mainstream cinema. The Backrooms did.
All because of a single photograph and a simple idea that tapped into a universal fear, the feeling of being lost in a place that looks familiar, yet somehow feels completely wrong.
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RT @cyqlelabs: You don't have to trust the agent. You can just watch it.
The multiplayer cloud computer for AI agents. Watch every action…
The multiplayer cloud computer for AI agents. Watch every action…
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RT @nic_synth: This music video—audio, visuals, and effects—was generated entirely in Motif. The difference? Every single layer remains 100…
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Prompt-to-video tools remove you from the process. Motif puts you in the driver’s seat.
Here is a workflow starting with just 2 pictures: a woman's face and a small bottle. The AI handled the heavy lifting (VO, music, transitions), but the taste is all human.
High-fidelity motif.ad
Here is a workflow starting with just 2 pictures: a woman's face and a small bottle. The AI handled the heavy lifting (VO, music, transitions), but the taste is all human.
High-fidelity motif.ad
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Otro anuncio hecho en minutos con Motif, utilizando solo dos imágenes como referencia (una mujer, un anillo). Unas peticiones adicionales a la IA y el resultado, listo para compartir.
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Advancing the testing and optimization of Motif: a comprehensive online studio for creating advertisements, trailers, and social content. It offers granular timeline and component control, powered by AI for both content generation and real-time creative assistance.
Visit motif.ad
Visit motif.ad
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