niall retweeted
i know twin peaks is set in the late winter/early spring but it really feels like an autumn show to me
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niall retweeted
Criterion's 4K of Eyes Wide Shut is one of the best releases in the history of the format. I’m sorry, but I’ll never understand preferring the grainless and incorrectly graded Warner BD which is inferior by every possible metric.
"The thing that I found so 𝘣𝘢𝘧𝘧𝘭𝘪𝘯𝘨 is that certain factions of the Kubrick audience seem to think that Criterion can just take these films and just do 𝘸𝘩𝘢𝘵𝘦𝘷𝘦𝘳 𝘵𝘩𝘦𝘺 𝘱𝘭𝘦𝘢𝘴𝘦 to them. And that is 𝘢𝘣𝘴𝘰𝘭𝘶𝘵𝘦𝘭𝘺 not the case. These are 100% studio—in the case of 'Eyes Wide Shut,' Warner Bros. and the Stanley Kubrick estate.
Before we even got to the color-correct in London, ['Eyes Wide Shut'] was already color-matched to an archived 35mm print. So by the time we sat down with Larry Smith, there had already been a color grade to match the original theatrical color grade, which—as we know—is different for whatever reasons."
'The Complete Kubrick' producer Michael Chaiken breaks down the restoration and mastering process for Criterion's new set: thefilmstage.com/he-wanted-the-…
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niall retweeted
12 hommes en colère, c’est ce genre de vieux film que les puristes te vendent comme un chef d’œuvre absolu alors que c’est juste 1 mec qui débat pendant 1h30 avec 11 autres dans une pièce fermée puis tu finis par regarder et c’est vrai c’est un putain de chef d’œuvre
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how do they manage to make nearly every single interaction the most difficult thing you’ve ever witnessed simultaneously impossible to look away from. i’ve never seen anything like it
Can’t watch You Can See Everything for like another year thanks to a24 so filling the fomo void with a first time watch of this in the meantime
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niall retweeted
asked A24 to have good distribution for one of their movies and they looked at me like this
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