Pinned Tweet
i made a chrome extension that hides all website content except ads
707
1,934
33,837
1,186,313
They are printing my work on big aluminum plates 0: #excited
5
1
34
1,397
Excited to participate in Paris Photo this year with @automataisart alongside @isthisanart_ @harmvddorpel @mattdesl @solienne_ai

See you in Paris! :3
10
4
48
2,354
Mika Ben Amar retweeted
Entropy by @exonemo @ NowHere
1
1
11
570
RT @nonperformant: what a gift it is to see decades of people still being so intimate with their interfaces

pictured: molly soda, mika ben…
0
2
0
32
Mika Ben Amar retweeted
WEBSITES WEBSITES WEBSITES (WWW!)
Now on view at 📍 39 Great Jones St, NY
@artxcode_io @rhizome

Piece → internet.flowers (2025) by @100o111
internet.flowers

internet.flowers is a garden made of 999 images of flowers extracted from the artist’s browsing ys a custom, artist-built Chrome extension that scans the websites Ben Amar visits, using a computer vision model she trained to detect and save images of flowers. internet.flowers addresses two of today’s most pressing technological concerns: the privacy of one’s digital data, and the rise of image recognition technology. On the one hand, the artist’s Chrome extension runs in the background of her browser, capturing data from her sessions, which later gets uploaded to the internet.flowers website for all to see. Browsing the internet, a private activity, is rendered public. However, stripped from their original contexts, the flowers have abstracted any trace of the websites they were derived from, adding a layer of obfuscation and anonymity. The artwork is also an interesting commentary on the rise of the wide scale implementation of image recognition technologies. Many of the images published on internet.flowers are pixellated, blurred, and have little actual resemblance to a flower, questioning how accurate such models can be, and what consequences this may have when applied to society-at-large.
5
5
23
954
Last day to see websites websites websites :,,,,,,,) so grateful to be involved <3
5
9
77
2,470
Mika Ben Amar retweeted
the impeccable range of

@100o111 @rhizome, @exonemo @ nowhere_newyork, Arthur Jafa @newmuseum & @ Eva & Franco Mattes @ 260 Madison
2
3
33
906
Mika Ben Amar retweeted
If you’re in New York, come say hi!

The show closes this Sunday and I’ll be there every day until it does :)

WWW!!!!!! 💙🌐
17
24
183
27,964
Mika Ben Amar retweeted
We are excited to present Scenography @ParisPhotoFair this November.

A group show featuring artists who use digital mediums to build worlds.

Featuring:
@harmvddorpel
@mattdesl
@100o111
@isthisanart_
@solienne_ai

November 10th - 15th, 2026
Grand Palais, Paris
Booth F08
3
6
13
509
💐💐
4- internet.flowers (2025) by @100o111
internet.flowers

internet.flowers is a garden made of 999 images of flowers extracted from the artist’s browsing history. The work employs a custom, artist-built Chrome extension that scans the websites Ben Amar visits, model she trained to detect and save images of flowers. internet.flowers addresses two of today’s most pressing technological concerns: the privacy of one’s digital data, and the rise of image recognition technology. On the one hand, the artist’s Chrome extension runs in the background of her browser, capturing data from her sessions, which later gets uploaded to the internet.flowers website for all to see. Browsing the internet, a private activity, is rendered public. However, stripped from their original contexts, the flowers have abstracted any trace of the websites they were derived from, adding a layer of obfuscation and anonymity. The artwork is also an interesting commentary on the rise of the wide scale implementation of image recognition technologies. Many of the images published on internet.flowers are pixellated, blurred, and have little actual resemblance to a flower, questioning how accurate such models can be, and what consequences this may have when applied to society-at-large.
0
0
9
895
Mika Ben Amar retweeted
gm!

Yesterday in NY for the opening of WEBSITES WEBSITES WEBSITES (WWW!).

@rhizome @artxcode_io @sofiagarcia_io @bennavkim @benoit_tokyo_
8
7
69
1,347
Mika Ben Amar retweeted
overheard in sf: “now that i’m post-autistic”
29
67
1,438
45,845
Images made out of USB-C connectors embedded in anodized aluminum
75 x 65 cm <3

Photos from last Saturday in Milan, Dolce XOXO curated by countersubject

Photos by t_space_studio
Every dot is a USB C connector lol
4
12
84
4,369
Mika Ben Amar retweeted
ONE MORE WEEK!!!! 🧑‍🩰
4
16
94
2,940
Gordon Matta-Clark at Berlin Modern <3
1
1
34
971
Showing work in Milan this weekend!
5
4
67
3,196
Berlin art week :3
3
13
201
6,442
Honored to be part of this show and also its my first show in NYC :3

So exciting!
WEBSITES WEBSITES WEBSITES! (WWW!) 🚨

We're pleased to share the artist list for the group exhibition opening later this month in NY. Organized in partnership with @artxcode_io and @rhizome, to celebrate Rhizome's 30th anniversary as a pioneering institution for the appreciation ital art and culture. The exhibition was curated by @sofiagarcia_io of ARTXCODE and @bennavkim and @benoittokyo of LAN Party.

The artist list spans three decades of practice on the web: @0xShiroi, @nonperformant, @kimasendorf, @100o111, @petracortright, @supperman, @Damjanski, @dennnnnnnnny, @exonemo, @isthisanart_, Auriea Harvey, @cleogirl2525, @JanRobertLeegte, @liasomething, @mayaonthenet, @lm_netwebs, @itseieio, @newrafael, @luke_shannon_, and @mollysoda, from the early net .art movement of the 1990s through to artists working online today.
5
5
49
2,422
Mika Ben Amar retweeted
ARTXCODE (@artxcode_io), in partnership with Rhizome (@rhizome), is pleased to announce the artists of WEBSITES WEBSITES WEBSITES! (WWW!), a group exhibition curated by Sofia Garcia (@sofiagarcia_io) of ARTXCODE and Vienna Kim (@bennavkim) and Benoît Palop (@benoit_tokyo_) of LAN website as an artistic medium and marking the 30th anniversary of Rhizome, the pioneering institution for born-digital art and culture.

The exhibition features works by 0xfff, Chia Amisola, Kim Asendorf, Mika Ben Amar, Petra Cortright, Vuk Ćosić, Damjanski, Simon Denny, EXONEMO, Sarah Friend, Auriea Harvey, SHAWNÉ MICHAELAIN HOLLOWAY, Jan Robert Leegte, LIA, Maya Man, Lorna Mills, Nolen Royalty, Rafaël Rozendaal, Luke Shannon, and Molly Soda.

Together they span three decades of practice on the web, from the playful interventions of 1990s net.art pioneers to the poetic web experiments of artists navigating today’s algorithmically saturated internet.

Presented as live websites installed physically across the gallery and online, WWW! bridges generations of artists to show how the website remains a radical artistic space: one that belongs to no platform and answers to no algorithm.

On view September 21–27, 2026, with an opening reception on Monday, September 21, 6–9PM, at 39 Great Jones St, New York.

Works will be available for direct acquisition throughout the run of the exhibition, in-person or online, via Fellowship (@fellowshiptrust), with a portion of proceeds benefiting Rhizome’s work as a memory institution for digital art.

The venue for this exhibition was graciously provided by New International Picture Company.
17
47
183
26,691
Very excited for this :3
ARTXCODE (@artxcode_io), in partnership with Rhizome (@rhizome), is pleased to announce the artists of WEBSITES WEBSITES WEBSITES! (WWW!), a group exhibition curated by Sofia Garcia (@sofiagarcia_io) of ARTXCODE and Vienna Kim (@bennavkim) and Benoît Palop (@benoit_tokyo_) of LAN website as an artistic medium and marking the 30th anniversary of Rhizome, the pioneering institution for born-digital art and culture.

The exhibition features works by 0xfff, Chia Amisola, Kim Asendorf, Mika Ben Amar, Petra Cortright, Vuk Ćosić, Damjanski, Simon Denny, EXONEMO, Sarah Friend, Auriea Harvey, SHAWNÉ MICHAELAIN HOLLOWAY, Jan Robert Leegte, LIA, Maya Man, Lorna Mills, Nolen Royalty, Rafaël Rozendaal, Luke Shannon, and Molly Soda.

Together they span three decades of practice on the web, from the playful interventions of 1990s net.art pioneers to the poetic web experiments of artists navigating today’s algorithmically saturated internet.

Presented as live websites installed physically across the gallery and online, WWW! bridges generations of artists to show how the website remains a radical artistic space: one that belongs to no platform and answers to no algorithm.

On view September 21–27, 2026, with an opening reception on Monday, September 21, 6–9PM, at 39 Great Jones St, New York.

Works will be available for direct acquisition throughout the run of the exhibition, in-person or online, via Fellowship (@fellowshiptrust), with a portion of proceeds benefiting Rhizome’s work as a memory institution for digital art.

The venue for this exhibition was graciously provided by New International Picture Company.
3
3
24
1,636