wallplugnft retweeted
‘the everything code’ by @RaoulGMI
My pre-orders are in hand and giveaway winners are as follows:
- Today’s DAM Show: @wallplugnft
- 24H Telegram: @Joseojeda
- 24H Subscribers: Emailing Two
Thanks for being part of @24_Hours_Art!
My pre-orders are in hand and giveaway winners are as follows:
- Today’s DAM Show: @wallplugnft
- 24H Telegram: @Joseojeda
- 24H Subscribers: Emailing Two
Thanks for being part of @24_Hours_Art!
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wallplugnft retweeted
I wish I could go to NYC for seeing this show in person! Bravo Justin! this looks huge!!
Moments of the Unknown: Enter Through the Thrift Shop
Curated by @justinaversano and @ViktoriaNagibi1
November 11 - 26, 2026
60 - 62 East 11th Street, New York
Opening Wednesday, November 11, 11:11AM - 8 PM; reception 5-8 PM
Enter through the Thrift Shop, an tion by Justin Aversano, co-curated with Viktoria Nagibina, opens on November 11, 2026, across all seven floors of 60-62 East 11th Street in Greenwich Village. Bringing together 366 paintings, Super 8 film, Polaroids, sound, and generative media, the exhibition follows a year of encounters across seven continents in an ascent from past to present to future. The building is not a backdrop but a participant: its nineteenth-century photographic history is set in direct relation to contemporary ways of making, circulating, and preserving images.
The exhibition took shape by chance. In June 2026, Aversano and Nagibina moved their studio into the building and only afterward learned that it had been built in 1895 as the headquarters of Scovill & Adams, the photographic-supply company and publisher of The Photographic Times, at a time when the blocks south of Union Square were among the world’s centers of photographic production. Aversano was then completing the 366 paintings, with no site yet determined for their presentation. Initiated and funded by the artist, who has reinvested the proceeds of his work in the space and its production, the exhibition is realized without gallery, museum, or outside financial support, proposing a model in which an artist builds the conditions for his own public presentation.
Visitors enter through Bijan Royal Antiques, an operating store run by its owner since 1965 and the last of the antique dealers that once lined the street. The entrance gives the exhibition its title, and sculptures from the shop reappear on the floors above, placing historical representations of the human figure beside Aversano’s contemporary portraits.
At the center of the exhibition is Moments of the Unknown, a three-part work on time, memory, and human connection that unfolds as The Past, The Present, and The Future. Its source is Aversano’s uninterrupted journey of 2023–2024, during which he filmed a different person in a different city every day on Super 8. Over the year that followed, he released one ten-second portrait a day and wrote a journal entry for each encounter, returning to it a year later to the day. Extending a lineage of serial, time-bound practice in which a fixed daily rule gives form to chance, the project brings these recorded encounters into dialogue with Polaroid photography and generative processes, and considers how images preserve individual lives while shaping a collective picture of humanity. Each of the three installations gives the recorded encounters a different temporal form: reversed and prolonged, unfolding in real time, or transformed into an imagined identity.
The paintings carry this inquiry into material and process. Each begins with a single frame extracted from the footage and processed through AI image generation to clarify its forms for silkscreen. Color is painted by hand, one layer at a time, before a final black silkscreen completes the image. Every work has its own screen, and the variations produced in printing remain without correction: the process establishes a structure while admitting the effects of chance. An augmented reality application reconnects each canvas with its source footage, returning the still image to motion.
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wallplugnft retweeted
tomorrow in SF! i won’t be there in person, but i will be there in spirit — and in video. @longnow
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wallplugnft retweeted
Hi, I’m Dolce Paganne. I’m an artist and a single parent living in the most expensive metropolis in a third world country. I’ve been making a living from my art for about ten years now. People sometimes criticize me for how much attention my creepy art gets. Guess I’m a lucky mfer!
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wallplugnft retweeted
Decided to dip my toes into the world of Tezos, and just bought these two amazing works by this very talented artist !
@artbylarsnagler
@artbylarsnagler
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wallplugnft retweeted
We're only two years old, but we're thinking about the next hundred.
Timely, right?
Grateful to @artblocks_io and @jeffgdavis for bringing us together with @LACMA, @nodefnd, MoA+L and @CentrePompidou in Marfa for "The Next Hundred Years of Digital."
🧵1/7 👇
Timely, right?
Grateful to @artblocks_io and @jeffgdavis for bringing us together with @LACMA, @nodefnd, MoA+L and @CentrePompidou in Marfa for "The Next Hundred Years of Digital."
🧵1/7 👇
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RT @ToppyEton: "If we succeeded in reproducing in wax all the marvels of our animal machine, we would no longer need to conduct dissections…
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wallplugnft retweeted
CYCOL × MALLOW | OPEN CALL
As Cycol Gallery enters its next chapter with Cycol 2.0, our commitment to supporting artists, building community, and creating new opportunities remains at the heart of everything we do.
We’re excited to announce our partnership with @mallowdotart monthly digital exhibition series, curated by @lowbrownative on behalf of Cycol Gallery, with exhibition, and artist featured via both @mallow and Cycol Gallery’s website.
As Cycol Gallery enters its next chapter with Cycol 2.0, our commitment to supporting artists, building community, and creating new opportunities remains at the heart of everything we do.
We’re excited to announce our partnership with @mallowdotart monthly digital exhibition series, curated by @lowbrownative on behalf of Cycol Gallery, with exhibition, and artist featured via both @mallow and Cycol Gallery’s website.
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wallplugnft retweeted
GM,
9 days left on a 613 day journey of daily writing practice. So many people have gone before...
@RogerDickerman, @mendezmendez, @beeple
It wasn't something I set out to do, but @SamSpratt's art and this community's words bolstered me.
Will be strange to be done.
9 days left on a 613 day journey of daily writing practice. So many people have gone before...
@RogerDickerman, @mendezmendez, @beeple
It wasn't something I set out to do, but @SamSpratt's art and this community's words bolstered me.
Will be strange to be done.
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wallplugnft retweeted
Moments of the Unknown: Enter Through the Thrift Shop
Curated by @justinaversano and @ViktoriaNagibi1
November 11 - 26, 2026
60 - 62 East 11th Street, New York
Opening Wednesday, November 11, 11:11AM - 8 PM; reception 5-8 PM
Enter through the Thrift Shop, an tion by Justin Aversano, co-curated with Viktoria Nagibina, opens on November 11, 2026, across all seven floors of 60-62 East 11th Street in Greenwich Village. Bringing together 366 paintings, Super 8 film, Polaroids, sound, and generative media, the exhibition follows a year of encounters across seven continents in an ascent from past to present to future. The building is not a backdrop but a participant: its nineteenth-century photographic history is set in direct relation to contemporary ways of making, circulating, and preserving images.
The exhibition took shape by chance. In June 2026, Aversano and Nagibina moved their studio into the building and only afterward learned that it had been built in 1895 as the headquarters of Scovill & Adams, the photographic-supply company and publisher of The Photographic Times, at a time when the blocks south of Union Square were among the world’s centers of photographic production. Aversano was then completing the 366 paintings, with no site yet determined for their presentation. Initiated and funded by the artist, who has reinvested the proceeds of his work in the space and its production, the exhibition is realized without gallery, museum, or outside financial support, proposing a model in which an artist builds the conditions for his own public presentation.
Visitors enter through Bijan Royal Antiques, an operating store run by its owner since 1965 and the last of the antique dealers that once lined the street. The entrance gives the exhibition its title, and sculptures from the shop reappear on the floors above, placing historical representations of the human figure beside Aversano’s contemporary portraits.
At the center of the exhibition is Moments of the Unknown, a three-part work on time, memory, and human connection that unfolds as The Past, The Present, and The Future. Its source is Aversano’s uninterrupted journey of 2023–2024, during which he filmed a different person in a different city every day on Super 8. Over the year that followed, he released one ten-second portrait a day and wrote a journal entry for each encounter, returning to it a year later to the day. Extending a lineage of serial, time-bound practice in which a fixed daily rule gives form to chance, the project brings these recorded encounters into dialogue with Polaroid photography and generative processes, and considers how images preserve individual lives while shaping a collective picture of humanity. Each of the three installations gives the recorded encounters a different temporal form: reversed and prolonged, unfolding in real time, or transformed into an imagined identity.
The paintings carry this inquiry into material and process. Each begins with a single frame extracted from the footage and processed through AI image generation to clarify its forms for silkscreen. Color is painted by hand, one layer at a time, before a final black silkscreen completes the image. Every work has its own screen, and the variations produced in printing remain without correction: the process establishes a structure while admitting the effects of chance. An augmented reality application reconnects each canvas with its source footage, returning the still image to motion.
🧵1/2
Curated by @justinaversano and @ViktoriaNagibi1
November 11 - 26, 2026
60 - 62 East 11th Street, New York
Opening Wednesday, November 11, 11:11AM - 8 PM; reception 5-8 PM
Enter through the Thrift Shop, an tion by Justin Aversano, co-curated with Viktoria Nagibina, opens on November 11, 2026, across all seven floors of 60-62 East 11th Street in Greenwich Village. Bringing together 366 paintings, Super 8 film, Polaroids, sound, and generative media, the exhibition follows a year of encounters across seven continents in an ascent from past to present to future. The building is not a backdrop but a participant: its nineteenth-century photographic history is set in direct relation to contemporary ways of making, circulating, and preserving images.
The exhibition took shape by chance. In June 2026, Aversano and Nagibina moved their studio into the building and only afterward learned that it had been built in 1895 as the headquarters of Scovill & Adams, the photographic-supply company and publisher of The Photographic Times, at a time when the blocks south of Union Square were among the world’s centers of photographic production. Aversano was then completing the 366 paintings, with no site yet determined for their presentation. Initiated and funded by the artist, who has reinvested the proceeds of his work in the space and its production, the exhibition is realized without gallery, museum, or outside financial support, proposing a model in which an artist builds the conditions for his own public presentation.
Visitors enter through Bijan Royal Antiques, an operating store run by its owner since 1965 and the last of the antique dealers that once lined the street. The entrance gives the exhibition its title, and sculptures from the shop reappear on the floors above, placing historical representations of the human figure beside Aversano’s contemporary portraits.
At the center of the exhibition is Moments of the Unknown, a three-part work on time, memory, and human connection that unfolds as The Past, The Present, and The Future. Its source is Aversano’s uninterrupted journey of 2023–2024, during which he filmed a different person in a different city every day on Super 8. Over the year that followed, he released one ten-second portrait a day and wrote a journal entry for each encounter, returning to it a year later to the day. Extending a lineage of serial, time-bound practice in which a fixed daily rule gives form to chance, the project brings these recorded encounters into dialogue with Polaroid photography and generative processes, and considers how images preserve individual lives while shaping a collective picture of humanity. Each of the three installations gives the recorded encounters a different temporal form: reversed and prolonged, unfolding in real time, or transformed into an imagined identity.
The paintings carry this inquiry into material and process. Each begins with a single frame extracted from the footage and processed through AI image generation to clarify its forms for silkscreen. Color is painted by hand, one layer at a time, before a final black silkscreen completes the image. Every work has its own screen, and the variations produced in printing remain without correction: the process establishes a structure while admitting the effects of chance. An augmented reality application reconnects each canvas with its source footage, returning the still image to motion.
🧵1/2
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wallplugnft retweeted
THE DAM SHOW: [1] Olivia Pedigo [2] Ana María Caballero & Julia Staudach [3] LoVid! x.com/i/broadcasts/2…
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wallplugnft retweeted
Cycol keeps cooking. And it’s because of team members like @lowbrownative who came up with the concept and presented it to @mallowdotart, that allow us to continue pushing and supporting artists.
This won’t be the last time I’ll be singing her praises this week. There is a whole other beast of a project she has been working on that we’ll be announcing leading up to Breakpoint.
Cycol x Mallow bi-monthly curations by lead curator of Cycol Lowbrow. Has a nice ring to it. Big thanks to @kaya_mallow and @meditatingsloth for always being down to do cool shit with us.
This won’t be the last time I’ll be singing her praises this week. There is a whole other beast of a project she has been working on that we’ll be announcing leading up to Breakpoint.
Cycol x Mallow bi-monthly curations by lead curator of Cycol Lowbrow. Has a nice ring to it. Big thanks to @kaya_mallow and @meditatingsloth for always being down to do cool shit with us.
Introducing UNMADE, a new bi-monthly digital exhibition series I’ll be curated on behalf of @cycol_gallery , in partnership with @mallowdotart.
We’re kicking things off with UNMADE Vol. 1: The Unmaking of Identity, Cycol’s first digital exhibition.
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