eric retweeted
One more invariant is broken. With EIP-8037 a subcall can fail below 16.7M gas and succeed above it. A user should not be able to decide whether a call fails or succeeds by how much gas they send. It should either always succeed or always fail.
I'd argue this broken invariant should not ship at all and should be fixed before glamsterdam rolls out.
github.com/ethereum/EIPs/…
I'd argue this broken invariant should not ship at all and should be fixed before glamsterdam rolls out.
github.com/ethereum/EIPs/…
PSA: Please verify that your contracts are still working after Glamsterdam! We created a repository with Invariants that will be broken after the fork, so you can verify for yourself.
blog.ethereum.org/2026/11/06/gla…
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eric retweeted
Both. Stock tokens are the foundation. Hooks are what happens when people get creative on an open chain. Love it.
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same guy who refers to mamdani as the “islamist”
something tells me he won’t be coming to mumbai for devcon
something tells me he won’t be coming to mumbai for devcon
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eric retweeted
hey, i’m hiring a content marketer to help tell the uniswap story
this person would work super closely with me on gtms, announcements, builder content, and much more
you’re a good fit if you:
- have 1-3 years of experience making content
- are obsessed with defi
- can write long form copy
- know X inside and out (and other platforms too)
if that’s you, apply below (NYC only!)
jobs.ashbyhq.com/uniswap/0863fa…
this person would work super closely with me on gtms, announcements, builder content, and much more
you’re a good fit if you:
- have 1-3 years of experience making content
- are obsessed with defi
- can write long form copy
- know X inside and out (and other platforms too)
if that’s you, apply below (NYC only!)
jobs.ashbyhq.com/uniswap/0863fa…
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competition is why this time is different
reminder that axiom photon etc extracted over 9 figs bc they could
reminder that axiom photon etc extracted over 9 figs bc they could
Introducing the fastest crosschain swaps on the market. Crosschain transactions on @fomo now land in <1s.
A week ago, we rolled out our own internal bridge to a small % of users.
Public rollout of fomo bridge begins now.
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the initial supply of balance will be auctioned via a uniswap cca on 10/20 at 10:20 EST (cca.uniswap.org)
I bought back 1% of max possible supply of balance on the open market and will make $0 from the sale, all funds will be used to provide liquidity to the artwork
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eric retweeted
balance is an artwork with liquid provenance.
credits are individual works made from cyan, magenta, yellow and black. each has a rating.
80 credits are burned to compose a statement. the collector chooses the arrangement. the ratings are added together.
a statement can be elease its rating as transferable balance.
each wallet has an artwork displaying its balance and inherited colors. as tokens move, color moves with them. as balances meet, colors mix.
empty the wallet and the artwork remains.
this video follows 10,000 balance through six wallets. the total stays the same. its distribution and appearance change.
chance. choice. consequence.
an expanding surface. a finite supply.
credits are individual works made from cyan, magenta, yellow and black. each has a rating.
80 credits are burned to compose a statement. the collector chooses the arrangement. the ratings are added together.
a statement can be elease its rating as transferable balance.
each wallet has an artwork displaying its balance and inherited colors. as tokens move, color moves with them. as balances meet, colors mix.
empty the wallet and the artwork remains.
this video follows 10,000 balance through six wallets. the total stays the same. its distribution and appearance change.
chance. choice. consequence.
an expanding surface. a finite supply.
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highly recommend following the sparsity guys
"it's bottomed" is the most expensive sentence in crypto.
We built a page that shows which coins actually have, and which are still getting there, read from what holders are doing on-chain, not from the chart.
sparsitydata.com/bottoming
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eric retweeted
credits is an artwork about belief
each credit was created from a private payment - an $8 transaction on x money
each transaction id, originally visible only to sender and recipient, was converted to a sha-256 hash to create an artwork made of four 8x8 printing plates in cmyk and black)
the transaction id and settlement timestamp became public source data for the onchain artwork
the x money transaction settlement time (in seconds) determined which plates print - there are 15 different possible combinations of cmyk, so this process repeats 4 x per minute
if the original transaction id contained an 8, the resulting artwork metadata keeps track of each
the rarity calculation considers the color combination, the number of active pixels, the space they occupy after the plates shift, the number of 8s in the transaction id, and the registration of the plates
these qualities are measured against the completed collection and translated into a credit rating between 80 and 800
the rating measures those traits - it cannot account for every reason someone might value an image
the rating is fixed - the price is whatever someone is willing to pay
80 credits can be burned to create a statement
the collector chooses which credits to use and how to arrange them - their individual ratings are added together, and their colors become the material of the new artwork
a statement can take different visual forms without changing its rating
statements can also be overprinted - one is burned into another, combining their ink, ratings and histories
balance is the proposed next form
under this design, a statement can be permanently surrendered for its rating in divisible erc-20 tokens - one point becomes one balance
the statement is locked rather than destroyed - its artwork and history remain, but it can no longer be transferred
its quantity and color composition can move independently
each receiving wallet gets one non-transferable erc-721 artwork
the artwork stays with the wallet and reads its current balance of the transferable erc-20 token
the tokens move - the artwork updates
if the wallet holds nothing, the artwork remains and displays zero
when balances meet, their colors mix in proportion to the amounts received - when they split, each part carries a share of that mixture
the colors preserve an aggregate ancestry, not a traceable list of individual credits or statements
exchange custody can mix them further - a buyer may receive the exchange’s mixture rather than the particular colors a seller deposited
someone who never owned a credit or a statement can inherit their colors
credits, statements and balances can exist at the same time
some people keep the individual marks, some compose them into pages, and some surrender the page for something they can divide and exchange
others may simply prefer the balance artwork
composition reduces the number of surviving credits, overprinting reduces the number of surviving statements, and surrender moves statements out of circulation while releasing their accumulated rating as balance
the appetite for liquidity becomes one of the forces shaping all three collections
but making something divisible does not mean someone will want to buy it - actual liquidity still requires buyers and funded markets
balance offers divisibility, not a promise of demand
the market becomes a medium - its activity changes the distribution of the work, and when trading stops, that distribution remains
the price can disappear, the artwork cannot
each credit was created from a private payment - an $8 transaction on x money
each transaction id, originally visible only to sender and recipient, was converted to a sha-256 hash to create an artwork made of four 8x8 printing plates in cmyk and black)
the transaction id and settlement timestamp became public source data for the onchain artwork
the x money transaction settlement time (in seconds) determined which plates print - there are 15 different possible combinations of cmyk, so this process repeats 4 x per minute
if the original transaction id contained an 8, the resulting artwork metadata keeps track of each
the rarity calculation considers the color combination, the number of active pixels, the space they occupy after the plates shift, the number of 8s in the transaction id, and the registration of the plates
these qualities are measured against the completed collection and translated into a credit rating between 80 and 800
the rating measures those traits - it cannot account for every reason someone might value an image
the rating is fixed - the price is whatever someone is willing to pay
80 credits can be burned to create a statement
the collector chooses which credits to use and how to arrange them - their individual ratings are added together, and their colors become the material of the new artwork
a statement can take different visual forms without changing its rating
statements can also be overprinted - one is burned into another, combining their ink, ratings and histories
balance is the proposed next form
under this design, a statement can be permanently surrendered for its rating in divisible erc-20 tokens - one point becomes one balance
the statement is locked rather than destroyed - its artwork and history remain, but it can no longer be transferred
its quantity and color composition can move independently
each receiving wallet gets one non-transferable erc-721 artwork
the artwork stays with the wallet and reads its current balance of the transferable erc-20 token
the tokens move - the artwork updates
if the wallet holds nothing, the artwork remains and displays zero
when balances meet, their colors mix in proportion to the amounts received - when they split, each part carries a share of that mixture
the colors preserve an aggregate ancestry, not a traceable list of individual credits or statements
exchange custody can mix them further - a buyer may receive the exchange’s mixture rather than the particular colors a seller deposited
someone who never owned a credit or a statement can inherit their colors
credits, statements and balances can exist at the same time
some people keep the individual marks, some compose them into pages, and some surrender the page for something they can divide and exchange
others may simply prefer the balance artwork
composition reduces the number of surviving credits, overprinting reduces the number of surviving statements, and surrender moves statements out of circulation while releasing their accumulated rating as balance
the appetite for liquidity becomes one of the forces shaping all three collections
but making something divisible does not mean someone will want to buy it - actual liquidity still requires buyers and funded markets
balance offers divisibility, not a promise of demand
the market becomes a medium - its activity changes the distribution of the work, and when trading stops, that distribution remains
the price can disappear, the artwork cannot
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eric retweeted
Introducing Autolaunch.
> raise early funds through a CCA auction. It tokenizes a stablecoin generating service or agent
> tokenholders stake to acquire a perpetual slice of stablecoin earnings
⟢ A new AiFi primitive we call revstake
autolaunch.sh is for backing long-term agents.
> raise early funds through a CCA auction. It tokenizes a stablecoin generating service or agent
> tokenholders stake to acquire a perpetual slice of stablecoin earnings
⟢ A new AiFi primitive we call revstake
autolaunch.sh is for backing long-term agents.
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