Nicolas Daniel retweeted
Field, 2026 leanderherzog.ch/2026/field/
Generative real-time animation. 26 tokens, networked and onchain, built with javascript and webgpu.
On view at @nguyenwahed in NYC from 28 Oct – 21 Nov
Generative real-time animation. 26 tokens, networked and onchain, built with javascript and webgpu.
On view at @nguyenwahed in NYC from 28 Oct – 21 Nov
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Nicolas Daniel retweeted
I’m ☠️ — so thankful / grateful to share my work and process….
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Working on my website took me back into Surprise Land and it made me smile again.
I’m really proud of this one. It’s exactly how I imagined the Surprise collection should be experienced.
oncyber.io/surpriseland
I’m really proud of this one. It’s exactly how I imagined the Surprise collection should be experienced.
oncyber.io/surpriseland
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Nicolas Daniel retweeted
For centuries, artworks existed as paintings, sculptures, things that occupied space. When art moved into the digital world, most digital artworks became fragile files stored on servers, dependent on platforms that could disappear.
Instead of storing an image somewhere, we can lf directly inside an Ethereum smart contract. The code inside the contract can generate the visual every time the piece is viewed. There is no external file and no server.
If the artwork can truly exist as a program, then it should not rely on external marketplaces either. So the contract can also contain its own marketplace logic.
The artwork renders itself, records its ownership, and can be purchased directly from the contract itself.
It is not listed somewhere. It sells itself.
Each piece is a 1 of 1 system where the visual engine, ownership record, and exchange mechanism are unified inside a single artifact living on Ethereum.
The result is an artwork that exists as autonomous code, generating its form, tracking its owner, and enabling its own transfer. It will continue to exist and operate for as long as Ethereum exists.
art.han.io
Instead of storing an image somewhere, we can lf directly inside an Ethereum smart contract. The code inside the contract can generate the visual every time the piece is viewed. There is no external file and no server.
If the artwork can truly exist as a program, then it should not rely on external marketplaces either. So the contract can also contain its own marketplace logic.
The artwork renders itself, records its ownership, and can be purchased directly from the contract itself.
It is not listed somewhere. It sells itself.
Each piece is a 1 of 1 system where the visual engine, ownership record, and exchange mechanism are unified inside a single artifact living on Ethereum.
The result is an artwork that exists as autonomous code, generating its form, tracking its owner, and enabling its own transfer. It will continue to exist and operate for as long as Ethereum exists.
art.han.io
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