Pinned Tweet
Proud to learn today that one of my images is on the cover of @midjourney magazine number 38.
Thanks @midjourney for the recognition!
Thanks @midjourney for the recognition!
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Uncle Dave (aka deebeeeff): The Dreamwalkers retweeted
QT tears.
A Silvertone closeup of a ten year old boy distraught upon hearing his beloved dog was hit by a car. Tears are rolling down his cheeks leaving a glistening trail of sadness. His eyes awash in tears, his face distorted by intense grief. Daytime 1960s suburban living room
A Silvertone closeup of a ten year old boy distraught upon hearing his beloved dog was hit by a car. Tears are rolling down his cheeks leaving a glistening trail of sadness. His eyes awash in tears, his face distorted by intense grief. Daytime 1960s suburban living room
Qt Your Tears
Ai is still pretty bad at showing real tears.
Out of maybe 25+ generations--mostly @midjourney --, this one from @GeminiApp was the best.
@ChatGPT wouldn't even do this image, @grok @imagine was okay but too watery, most of the @midjourney images looked like rain water or sweat.
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Uncle Dave (aka deebeeeff): The Dreamwalkers retweeted
I write camera direction into every AI video prompt, so I asked @ParadigmStudy for a quick drill on the five shot sizes.
Paradigm calls Clover the first ambient learning agent. It watches the canvas. I tapped two phrases that belong in a close-up and stopped. It stepped in Then it handed back a repaired prompt I can actually use.
paradigm.study
Paradigm calls Clover the first ambient learning agent. It watches the canvas. I tapped two phrases that belong in a close-up and stopped. It stepped in Then it handed back a repaired prompt I can actually use.
paradigm.study
A perfect answer now costs nothing and proves nothing.
So what is a university for?
We're building the first AI-native university. A school of one.
Introducing Paradigm.
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Uncle Dave (aka deebeeeff): The Dreamwalkers retweeted
We asked Claude Fable 5.2 to finish Leonardo da Vinci's flying machine.
It built a 3D model, stress-tested it under real-world physics and redesigned it to fly.
3 days of FREE & UNLIMITED access to Seedance 2.5, Seedream 5.5 & every other top model.
Start your free trial in Higgsfield MCP now.
It built a 3D model, stress-tested it under real-world physics and redesigned it to fly.
3 days of FREE & UNLIMITED access to Seedance 2.5, Seedream 5.5 & every other top model.
Start your free trial in Higgsfield MCP now.
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Uncle Dave (aka deebeeeff): The Dreamwalkers retweeted
So this is a true story from a few minutes ago. Technology is here to make us smarter.😂
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Uncle Dave (aka deebeeeff): The Dreamwalkers retweeted
Midjourney Style --sref 3486792880
Otherworldly Fantasy Fluff Characters
Exotic and surrealistic wolf creature, white background --ar 16:9 --raw --sref 3486792880 --sw 100 --stylize 300 --v 8.2
Otherworldly Fantasy Fluff Characters
Exotic and surrealistic wolf creature, white background --ar 16:9 --raw --sref 3486792880 --sw 100 --stylize 300 --v 8.2
Midjourney Style --sref 3486792880
Otherworldly Fantasy Fluff Characters
Exotic and surrealistic [ADD ANIMAL] creature, white background --ar 3:4 --raw --sref 3486792880 --sw 100 --stylize 300 --v 8.2
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Uncle Dave (aka deebeeeff): The Dreamwalkers retweeted
Cinematic shot of a man in a cargo helicopter rolling a giant bath bomb out the back ramp. The giant bath bomb plummets in the lake. Upon impact, a colossal bright multicoloured geyser of soap, bubbles, and foam violently erupts into the sky, crashing directly into the helicopter the man inside. Photorealistic, dynamic camera angles, fast-paced action.
Timeline Breakdown:
0-2s: Man rolling a giant bath bomb out the back of a cargo helicopter.
2-5s: The camera looks down as the giant bath bomb falls in the lake.
5-8s: A massive colossal bright multicoloured geyser of soap, bubbles, and foam violently erupts into the sky upwards toward the lens.
8-10s: The multicoloured geyser of soap, bubbles, and foam completely engulfs the helicopter back ramp, leaving the man completely covered and soaked.
Timeline Breakdown:
0-2s: Man rolling a giant bath bomb out the back of a cargo helicopter.
2-5s: The camera looks down as the giant bath bomb falls in the lake.
5-8s: A massive colossal bright multicoloured geyser of soap, bubbles, and foam violently erupts into the sky upwards toward the lens.
8-10s: The multicoloured geyser of soap, bubbles, and foam completely engulfs the helicopter back ramp, leaving the man completely covered and soaked.
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Uncle Dave (aka deebeeeff): The Dreamwalkers retweeted
Happy Monday! 💡✨
A little spark of light to brighten up the start of a new week! Sometimes it’s the smallest things that bring the biggest smiles. 🤎
Wishing you all a lovely Monday and a wonderful week ahead! 🍂
A little spark of light to brighten up the start of a new week! Sometimes it’s the smallest things that bring the biggest smiles. 🤎
Wishing you all a lovely Monday and a wonderful week ahead! 🍂
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Do you think AI will take away my job?
I am currently retired, but everyone is so worried about AI replacing them, I am wondering if AI will replace me, take over my Social Security, my Medicare, my investments.
Be okay if it would take over my aches and pains.😂😂😂
I am currently retired, but everyone is so worried about AI replacing them, I am wondering if AI will replace me, take over my Social Security, my Medicare, my investments.
Be okay if it would take over my aches and pains.😂😂😂
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Qt Your Tears
Ai is still pretty bad at showing real tears.
Out of maybe 25+ generations--mostly @midjourney --, this one from @GeminiApp was the best.
@ChatGPT wouldn't even do this image, @grok @imagine was okay but too watery, most of the @midjourney images looked like rain water or sweat.
Ai is still pretty bad at showing real tears.
Out of maybe 25+ generations--mostly @midjourney --, this one from @GeminiApp was the best.
@ChatGPT wouldn't even do this image, @grok @imagine was okay but too watery, most of the @midjourney images looked like rain water or sweat.
QT Your Tears
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Uncle Dave (aka deebeeeff): The Dreamwalkers retweeted
Ultra-photorealistic cinematic wildlife footage. Sunrise on the African savanna: a low golden sun, long shadows, tall golden grass, flat-topped acacia trees, and a straight red dirt road. Red dust glows gold in the backlight. Eight hard cuts: fast at first, then one long calm IDER, the same in every shot: one rider on a white adventure motorcycle, wearing a bright cyan jacket and a white helmet. The cyan and white stand out clearly against the red road and golden grass in every shot.
THE HERD, the same in every shot: a small herd of about ten African elephants, including one small calf. They walk slowly and calmly from the grass on the left, across the road, into the grass on the right. They never run and never come toward the rider.
SHOT 1, 0–2s, camera low on the red road: from the first frame, the motorcycle races toward the camera and roars past it, red dust exploding into golden light behind it.
SHOT 2, 2–3.5s, helmet camera, rider’s point of view: the red road rushes ahead, acacia trees blur past, and the low sun sits on the horizon straight ahead.
SHOT 3, 3.5–5s, FPV drone chasing low behind the motorcycle: a long trail of glowing red dust behind the rider, golden grass on both sides.
SHOT 4, 5–6.5s, high drone shot looking straight down: a thin red road through golden grass, the tiny white motorcycle on it, and far ahead, large gray shapes stepping out of the grass onto the road.
SHOT 5, 6.5–8s, helmet camera, rider’s point of view: through the dust ahead, huge gray elephants appear, walking across the road.
SHOT 6, 8–9.5s, camera low beside the rear wheel: the rider brakes hard, the rear wheel slides sideways, red dust sprays, and the motorcycle stops upright with both wheels on the road, about twenty meters before the elephants.
SHOT 7, 9.5–13s, the calm moment, the camera holds still behind the rider, over his shoulder: the elephants walk slowly across the road in front of him, about twenty meters away, red dust drifting in the golden light. The biggest elephant stops in the middle of the road, turns her head toward the rider, and spreads her ears wide. The rider stays completely still and slowly lowers his head.
SHOT 8, 13–15s, drone rising slowly behind the rider: the big elephant turns and walks on into the golden grass on the right, the herd ahead of her, and the small calf trots behind. In the final frame, the rider is still stopped on the empty red road, small, with the herd walking into the sunrise.
Realistic elephant anatomy and natural, slow elephant movement. Realistic physics, no slow motion.
Sound: natural sound only. A loud motorcycle engine, gravel and dust, wind. The skid of the rear tire. Then the engine stops, and in shot 7 only the wind, the birds, the heavy footsteps of the elephants and a low rumble from the big elephant. No music, no narration, no text.
Made with @Kling_ai 4.0, text to video
THE HERD, the same in every shot: a small herd of about ten African elephants, including one small calf. They walk slowly and calmly from the grass on the left, across the road, into the grass on the right. They never run and never come toward the rider.
SHOT 1, 0–2s, camera low on the red road: from the first frame, the motorcycle races toward the camera and roars past it, red dust exploding into golden light behind it.
SHOT 2, 2–3.5s, helmet camera, rider’s point of view: the red road rushes ahead, acacia trees blur past, and the low sun sits on the horizon straight ahead.
SHOT 3, 3.5–5s, FPV drone chasing low behind the motorcycle: a long trail of glowing red dust behind the rider, golden grass on both sides.
SHOT 4, 5–6.5s, high drone shot looking straight down: a thin red road through golden grass, the tiny white motorcycle on it, and far ahead, large gray shapes stepping out of the grass onto the road.
SHOT 5, 6.5–8s, helmet camera, rider’s point of view: through the dust ahead, huge gray elephants appear, walking across the road.
SHOT 6, 8–9.5s, camera low beside the rear wheel: the rider brakes hard, the rear wheel slides sideways, red dust sprays, and the motorcycle stops upright with both wheels on the road, about twenty meters before the elephants.
SHOT 7, 9.5–13s, the calm moment, the camera holds still behind the rider, over his shoulder: the elephants walk slowly across the road in front of him, about twenty meters away, red dust drifting in the golden light. The biggest elephant stops in the middle of the road, turns her head toward the rider, and spreads her ears wide. The rider stays completely still and slowly lowers his head.
SHOT 8, 13–15s, drone rising slowly behind the rider: the big elephant turns and walks on into the golden grass on the right, the herd ahead of her, and the small calf trots behind. In the final frame, the rider is still stopped on the empty red road, small, with the herd walking into the sunrise.
Realistic elephant anatomy and natural, slow elephant movement. Realistic physics, no slow motion.
Sound: natural sound only. A loud motorcycle engine, gravel and dust, wind. The skid of the rear tire. Then the engine stops, and in shot 7 only the wind, the birds, the heavy footsteps of the elephants and a low rumble from the big elephant. No music, no narration, no text.
Made with @Kling_ai 4.0, text to video
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Uncle Dave (aka deebeeeff): The Dreamwalkers retweeted
1. Pentax KM camera
2. Pentax-A 50mm F1.2 lens
3. Ilford HP5 Plus 400 35mm film
Street portrait of elderly Cuban smoking a cigar taken on Pentax KM camera, Pentax-A 50mm F1.2 lens, Ilford HP5 Plus 400 35mm film --ar 3:4 --raw --stylize 150 --hd --v 8.2
2. Pentax-A 50mm F1.2 lens
3. Ilford HP5 Plus 400 35mm film
Street portrait of elderly Cuban smoking a cigar taken on Pentax KM camera, Pentax-A 50mm F1.2 lens, Ilford HP5 Plus 400 35mm film --ar 3:4 --raw --stylize 150 --hd --v 8.2
Widescreen 16:9 Cinematic Lights
Click on images for full view
Anya Taylor-Joy, cinematic street photo --ar 16:9 --sref 1817778782::4 3349256275::3 2782365120::2 2645245632::2 2594221865 --stylize 150 --hd --v 8.2
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One easy way to get AI image models to include the entire body in an image, especially for someone standing, is to describe their hair/hat and their shoes.
This helps especially when an AI rejects a phrase like "full body".
This helps especially when an AI rejects a phrase like "full body".
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Uncle Dave (aka deebeeeff): The Dreamwalkers retweeted
Your Butterfly
TFTT @texasdutch1
Tagging @jayne_RLJ
1/ Le Sanctuaire des Ailes Éternelles
2/ L'âme prend son envol
TFTT @texasdutch1
Tagging @jayne_RLJ
1/ Le Sanctuaire des Ailes Éternelles
2/ L'âme prend son envol
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Uncle Dave (aka deebeeeff): The Dreamwalkers retweeted
🎨✨️ COLORFUL ✨️🎨
Creative Art Challenge
Bold color, vivid energy, and expressive palettes. Rainbows, saturatued hues, glowing accents, soft pastels, or rich contrasts.
Connect and Create.
#Colorful #AIArtChallenge #AIArt
Creative Art Challenge
Bold color, vivid energy, and expressive palettes. Rainbows, saturatued hues, glowing accents, soft pastels, or rich contrasts.
Connect and Create.
#Colorful #AIArtChallenge #AIArt
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