Typographer retweeted
#swoon
IvyMazarin just got Big[ger]. And it has a variable option. And the italics are even better. If that is possible.*
*Apparently so.
IvyMazarin just got Big[ger]. And it has a variable option. And the italics are even better. If that is possible.*
*Apparently so.
IvyMazarin now comes in two optical sizes. IvyMazarin Big brings classic news proportions to our French Garamond revival: narrower, sharper, and more tightly spaced, with an even larger x-height.
Explore IvyMazarin Big → ivyfoundry.com/families/ivyma… & typographer.com/fonts/ivy-ivym…
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Mark’s new site looks so good. You have to see it. Go now! Kudos to the @thetypefounders team!
P.S. All of Mark’s fonts are also on typographer.com → typographer.com/fonts/?foundri…
P.S. All of Mark’s fonts are also on typographer.com → typographer.com/fonts/?foundri…
My website has a new look! It brings back some of the spirit of my original site, & it already feels like home to me. Thanks to Scott Kellum, Kelsey Scherer, and Roel Nieskens. Visit marksimonson.com today, & while there, you can find the Notebook entry about the update.
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A new site for an important collection!
BTW all of ATF’s fonts are also available on typographer.com ✨
BTW all of ATF’s fonts are also available on typographer.com ✨
The foundry that shaped American type has a new home. Explore atftype.com to see the ATF® Collection, digitized & extended by Mark van Bronkhorst.
Site design by Adrian Kimball of Workhorse Type Foundry & developed w/ Scott Kellum, @thetypefounder’s Design Director.
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Typographer retweeted
The foundry that shaped American type has a new home. Explore atftype.com to see the ATF® Collection, digitized & extended by Mark van Bronkhorst.
Site design by Adrian Kimball of Workhorse Type Foundry & developed w/ Scott Kellum, @thetypefounder’s Design Director.
Site design by Adrian Kimball of Workhorse Type Foundry & developed w/ Scott Kellum, @thetypefounder’s Design Director.
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IvyMazarin now comes in two optical sizes. IvyMazarin Big brings classic news proportions to our French Garamond revival: narrower, sharper, and more tightly spaced, with an even larger x-height.
Explore IvyMazarin Big → ivyfoundry.com/families/ivyma… & typographer.com/fonts/ivy-ivym…
Explore IvyMazarin Big → ivyfoundry.com/families/ivyma… & typographer.com/fonts/ivy-ivym…
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Typographer retweeted
Happy to share this one! Kellarie is here — a speedball-inspired script from Laura Worthington Design with the warmth of sign painting and the ease of confident hand lettering. Four weights, plenty of alternates. #fonts
Buy: lauraworthingtondesign.com
Try: typographer.com
Buy: lauraworthingtondesign.com
Try: typographer.com
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The Henston returns with more range than ever. Now available in two widths — Regular & Condensed — each with eight weights. Designed by Elena Genova for My Creative Land.
Buy it on mycreativeland.com & try it on typographer.com
#GraphicDesign #Branding #Fonts
Buy it on mycreativeland.com & try it on typographer.com
#GraphicDesign #Branding #Fonts
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Sometimes it’s fun just to see big type, right?!
When you need impact in a tight space, ATF Super Condensed gives you 42 fonts to try: six widths, from Compressed to Wide, and seven weights, from Hairline to Black.
Want to see more? Visit atftype.com today.
When you need impact in a tight space, ATF Super Condensed gives you 42 fonts to try: six widths, from Compressed to Wide, and seven weights, from Hairline to Black.
Want to see more? Visit atftype.com today.
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Typographer retweeted
Partiche, at first glance, is quirky. But after spending some time with it I got a real sense of how it might be used in monumental ways too.
A new expressive sans with a calligrapher’s eye designed by Richard Lipton for Lipton Letter Design. It pairs Seymour Chwast’s playful graphic sensibility and Richard Lipton’s sculptural detailing.
Available from liptonletterdesign.com and typographer.com
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A new expressive sans with a calligrapher’s eye designed by Richard Lipton for Lipton Letter Design. It pairs Seymour Chwast’s playful graphic sensibility and Richard Lipton’s sculptural detailing.
Available from liptonletterdesign.com and typographer.com
Available from liptonletterdesign.com and typographer.com
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New #font family from Mark! 🚀
Fifty years in the making! What began as a college type design project in 1976 has become Neotype—a retro-futuristic display family blending the influence of uncial script with 1970s geometric sans serif design.
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Typographer retweeted
I have a joke about designing a font with really neat negative space inside the letterforms, but it's counterproductive
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Typographer retweeted
Tiffany Young Edge of Calm FONT
🤎 Span : bit.ly/4vZPLyt
🤎 Sloop Script : bit.ly/3Rlz5zE
#TiffanyYoung #티파니영
#EdgeofCalm
🤎 Span : bit.ly/4vZPLyt
🤎 Sloop Script : bit.ly/3Rlz5zE
#TiffanyYoung #티파니영
#EdgeofCalm
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Differently revives the feeling of ’80s print advertising — soft, tactile, with Garamond roots. For brands that want to be felt before they are read. Designed by Elena Genova for My Creative Land.
Now on mycreativeland.com & typographer.com
#Fonts #GraphicDesign
Now on mycreativeland.com & typographer.com
#Fonts #GraphicDesign
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Jan Maack of Ivy Foundry has lived a fascinating creative journey that has taken him from art director to acclaimed type designer. Hear from Jan in his own words on ‘World of Type’ → thetypefounders.com/world-of-type/…
#TheTypeFounders #IvyFoundry #JanMaack #TypeDesign #Fonts
#TheTypeFounders #IvyFoundry #JanMaack #TypeDesign #Fonts
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Typographer retweeted
CHOIYOOJUNG Perfect Target FONT
🩷 Kepler : bit.ly/43yFPj3
🩷 Sloop Script : bit.ly/3Rlz5zE
🩷 Both fonts are modified and pixelated
#최유정 #CHOIYOOJUNG
#PerfectTarget
🩷 Kepler : bit.ly/43yFPj3
🩷 Sloop Script : bit.ly/3Rlz5zE
🩷 Both fonts are modified and pixelated
#최유정 #CHOIYOOJUNG
#PerfectTarget
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New from Laura Worthington Design! Rosebriar is ornamental, slightly nostalgic, & full of character. It has decorative details giving it a crafted quality that can read as medieval, storybook, or simply distinct. Now on lauraworthingtondesign.com & typographer.com →
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