The soprano Angel Blue has announced a sabbatical from opera performances, but will continue with scheduled concerts and recitals

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Elena Langer discusses the power of comedy, the freedom of writing for the stage and the life-changing urgency behind her new opera, To Die For ⭐

Read the full feature online and in the Winter issue of Opera Now! 🎶

'What works in this 1980s updating is the sense of mindless and pervasive brutality – violence no longer confined to secret, hidden spaces but carried out in full view, corrupting art as well as life.' ⭐⭐⭐ ✍️ Alexandra Coghlan opera-now.com/content/review…

Opera Now speaks to Garsington Opera's Artistic Director Douglas Boyd and Creative Director of Learning & Participation Karen Gillingham about the impact of Garsington Studios ⭐

Read the full feature online and in the Winter issue of Opera Now! opera-now.com/content/featur…

‘All in all a fine celebration of Wexford’s 75th birthday: may there be many more!’

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✍️ George Hall

Read the full round-up on the Opera Now website! opera-now.com/content/review…

Letter from Bergen ⭐

Editor Hattie Butterworth visits the Bergen International Festival to find out what opera the city has to offer 🎶

Read the full story online and in the Winter issue of Opera Now! opera-now.com/content/featur…

The voice of a century: marking the centenary of Dame Joan Sutherland

Read the report on the Opera Now website! opera-now.com/content/news/t…

'Even a cursory glance over the backstories of many major opera houses makes clear that the art form was locked in an ongoing battle with the threat of fire'

In the Winter issue of Opera Now we look at the relationship between opera and fire ⭐ opera-now.com/content/featur…

'This kind of creativity – making every detail tell - is what Mid Wales Opera does'

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✍️Richard Bratby

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Mid Wales Opera was founded in 1988 to bring opera to the heart of Wales. We meet Artistic Director Richard Studer to learn about the company’s work ✨

Read the full story online and in the Winter issue of Opera Now! ⭐ opera-now.com/content/featur…

As she prepares to debut two Strauss roles this season, Scottish mezzo Karen Cargill speaks to Editor Hattie Butterworth about her career, her collaboration and hopes for the future ⭐

Read the full story online and in the Winter issue of Opera Now! 🎶 opera-now.com/content/featur…

📢 Introducing the Winter issue of Opera Now! 📢 Including interviews with Karen Cargill, John Savournin, Stefan Herheim and Soutra Gilmour! And explore the best new productions in the 2026/27 season across the world and more!

'Tannhäuser itself will always reward audiences in such a thoughtful and often inspired performance'

✍️ Peter Quantrill

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Read the full review on the Opera Now website! opera-now.com/content/review…

'The ensemble singing in the opening scenes is outstanding'

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✍️Eleanor Knight

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'Huffman and Venables bend the very notion of what constitutes text'

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✍️Mark Seow

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'The piece took the audience on an increasingly dark journey that set individual mystery against collective conformity'

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✍️George Hall

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English Touring Opera wins Achievement in Opera Award at the UK Theatre Awards 2026

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Ahead of the RBO revival of Philip Venables’ 4.48 Psychosis, Eleanor Knight reflects on Sarah Kane's original play and whether attitudes towards mental health have changed in the generations since her suicide

🔎Discover the full feature on our website
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On memorable form, the company’s chorus sang as a unit but acted as individuals, while Tchaikovsky’s expertly chosen instrumental colours were vividly presented by the orchestra

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✍️ George Hall

Read the full review on the Opera Now website!
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'Quinn Kelsey ideal in thrilling Met 'Macbeth'

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✍️Robert Levine

Read the full review on our website! opera-now.com/content/review…