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30 Days of #Noirvember 🔎 is here!
Share your #filmnoir favorites each day. Join in by tagging #NoirvemberChallenge 📽️
Thank you to everyone who submitted a prompt! Special thanks to @jauntworks for this year's artwork!
Share your #filmnoir favorites each day. Join in by tagging #NoirvemberChallenge 📽️
Thank you to everyone who submitted a prompt! Special thanks to @jauntworks for this year's artwork!
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Fav Line in #FilmNoir You Remember Long After It Ends
#NoirvemberChallenge
Moe from Pickup on South Street. Played by Thelma Ritter. The music, the look in her eye, and the speech… “Listen, Mister. I have to go on makin' a livin'... so I can die.” It’s a masterclass.
#NoirvemberChallenge
Moe from Pickup on South Street. Played by Thelma Ritter. The music, the look in her eye, and the speech… “Listen, Mister. I have to go on makin' a livin'... so I can die.” It’s a masterclass.
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Favorite #FilmNoir About War Veterans
By @CTMillion #NoirvemberChallenge
The Blue Dahlia (1946). Alan Ladd, William Bendix, and Hugh Beaumont come home to a world that moved on without them. Chandler’s script, Ladd’s cool, Lake’s peekaboo glamour, and Bendix’s shell-shocked rage.
By @CTMillion #NoirvemberChallenge
The Blue Dahlia (1946). Alan Ladd, William Bendix, and Hugh Beaumont come home to a world that moved on without them. Chandler’s script, Ladd’s cool, Lake’s peekaboo glamour, and Bendix’s shell-shocked rage.
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Thank you, @CTMillion for the terrific #NoirvemberChallenge prompt!
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Kari Hansbarger retweeted
ALL THE FILM THINGS Episode 71: Sunset Boulevard with host Elizabeth Wildes and FNF Director of Communications Anne Hockens youtu.be/Ja4-nopVuMg?si… via @YouTube
#Noirvember @noircitymag @AnneHockens
#Noirvember @noircitymag @AnneHockens
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Favorite #FilmNoir MacGuffin
#NoirvemberChallenge
The 39 Steps (1935). Hitchcock made the MacGuffin famous, and here the safest vault in Britain has a remarkable memory. Nobody cares what the secret is, only that Robert Donat is handcuffed to Madeleine Carroll on the run.
#NoirvemberChallenge
The 39 Steps (1935). Hitchcock made the MacGuffin famous, and here the safest vault in Britain has a remarkable memory. Nobody cares what the secret is, only that Robert Donat is handcuffed to Madeleine Carroll on the run.
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Best & Worst Narration in Film Noir
#NoirvemberChallenge
Best: Dead Reckoning ('47). Bogart’s voice-over is hard-boiled perfection: cynical, wisecracking, & dripping with suspicion. If you’re going to have someone talk you through a murder mystery, make it Bogart.
#NoirvemberChallenge
Best: Dead Reckoning ('47). Bogart’s voice-over is hard-boiled perfection: cynical, wisecracking, & dripping with suspicion. If you’re going to have someone talk you through a murder mystery, make it Bogart.
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Fav #FilmNoir Cinematographer
#NoirvemberChallenge
DPs are a favorite of mine, so I choose two: John Alton & James Wong Howe. Their filmography and talent are unquestionable, bringing the look of noir to life in:
He Walked By Night
The Amazing Mr. X
Sweet Smell of Success
#NoirvemberChallenge
DPs are a favorite of mine, so I choose two: John Alton & James Wong Howe. Their filmography and talent are unquestionable, bringing the look of noir to life in:
He Walked By Night
The Amazing Mr. X
Sweet Smell of Success
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#FilmNoir You Would Show Someone Who Has Never Seen One
#NoirvemberChallenge
Double Indemnity (1944). Often cited as setting the standard for noir, this masterpiece has it all. Directed by Billy Wilder and co-written by Wilder and Raymond Chandler. That’s a dandy of an anklet.
#NoirvemberChallenge
Double Indemnity (1944). Often cited as setting the standard for noir, this masterpiece has it all. Directed by Billy Wilder and co-written by Wilder and Raymond Chandler. That’s a dandy of an anklet.
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Favorite #FilmNoir Comeuppance
#NoirvemberChallenge
The Lady from Shanghai (1947). In Orson Welles’s world of beautiful liars, double-crosses, and deadly schemes, the final showdown delivers one of noir’s most delicious, visual, twisted reckonings.
#NoirvemberChallenge
The Lady from Shanghai (1947). In Orson Welles’s world of beautiful liars, double-crosses, and deadly schemes, the final showdown delivers one of noir’s most delicious, visual, twisted reckonings.
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Kari Hansbarger retweeted
#NoirvemberChallenge : Film Noir I wish more people would see:
📽️ Hell Drivers (1957) 📽️
A brutal, bleak world where workers are pitted against each other, and the men at the top profit from the ruins.
#ShadowsSpeak is a daily #FilmNoir Quote Series
📽️ Hell Drivers (1957) 📽️
A brutal, bleak world where workers are pitted against each other, and the men at the top profit from the ruins.
#ShadowsSpeak is a daily #FilmNoir Quote Series
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#FilmNoir You Wish More People Saw #NoirvemberChallenge
Mr. Arkadin (1955). Orson Welles sends us through a labyrinth of aliases, unreliable memories, and European shadows. A billionaire, a man with no past, lavish parties, and a world where everyone seems to be hiding something.
Mr. Arkadin (1955). Orson Welles sends us through a labyrinth of aliases, unreliable memories, and European shadows. A billionaire, a man with no past, lavish parties, and a world where everyone seems to be hiding something.
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Favorite Newspaper Noir #NoirvemberChallenge
High Tide (1947). A lean, low-budget B-#filmnoir from Poverty Row, starring Lee Tracy, Don Castle, Julie Bishop, and Regis Toomey.
In this newsroom, the truth is negotiable.
High Tide (1947). A lean, low-budget B-#filmnoir from Poverty Row, starring Lee Tracy, Don Castle, Julie Bishop, and Regis Toomey.
In this newsroom, the truth is negotiable.
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Kari Hansbarger retweeted
Fav #FilmNoir You Recently Discovered #NoirvemberChallenge By @marcik
The Guilty ('47) was discovered from #TheNoirCollective live watch; this B-movie delivers shadows & bad decisions that leave you feeling like nobody’s getting out clean.
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Kari Hansbarger retweeted
We produced the restoration of THE GUILTY performed by @UCLAFTVArchive available from Flicker Alley: flickeralley.com/products/44224…
@noircitymag #Noirvember
@noircitymag #Noirvember
Fav #FilmNoir You Recently Discovered #NoirvemberChallenge By @marcik
The Guilty ('47) was discovered from #TheNoirCollective live watch; this B-movie delivers shadows & bad decisions that leave you feeling like nobody’s getting out clean.
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Fav #FilmNoir You Recently Discovered #NoirvemberChallenge By @marcik
The Guilty ('47) was discovered from #TheNoirCollective live watch; this B-movie delivers shadows & bad decisions that leave you feeling like nobody’s getting out clean.
The Guilty ('47) was discovered from #TheNoirCollective live watch; this B-movie delivers shadows & bad decisions that leave you feeling like nobody’s getting out clean.
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Thank you, @marcik, for submitting an excellent prompt! #NoirvemberChallenge
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Kari Hansbarger retweeted
Check out our TV listings page to see all the noirs playing this #Noirvember on @tcm including all of Eddie's @NoirAlley presentations:
filmnoirfoundation.org/news-tv.html
Photo: Vincent Sherman directing Ann Sheridan and Kent Smith on the set of NORA PRENTISS
filmnoirfoundation.org/news-tv.html
Photo: Vincent Sherman directing Ann Sheridan and Kent Smith on the set of NORA PRENTISS
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