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Overwhelmed? Sad? Frustrated? I recommend you look at my dog for a while.
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Screening at New York Film Festival: Tom McCarthy’s ‘A Statement’ observer.com/2026/10/movie-…
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How Art Collaboration Kyoto Keeps Growing Its Reach Without Losing Its Soul observer.com/2026/11/art-co…
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Christa Terry, Arts Editor retweeted
John Berger’s TV series “Ways of Seeing” popularized a Marxist view of art and made him a star. In his centennial year, his wide-ranging output continues to inspire and infuriate. newyorker.com/magazine/2026/…
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With a Bigger, More International Art Week Tokyo, Japan’s Scene Is Expanding Its Reach observer.com/2026/11/arts-r…
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Sheikh Hamad bin Abdullah Al Thani’s Avenue Floquet Collection Achieves €24.4M at Sotheby’s Paris observer.com/2026/11/auctio…
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Christa Terry, Arts Editor retweeted
A popular artist myth is that one gallery show in a major art center like New York LA London Paris Berlin will you get known. While any kind of show is good, your cumulative track record of shows sales successes is what gets you known. Meaning all you've accomplished so far and continue to accomplish as your career progresses. Longevity. Staying power. Establishing and solidifying your reputation as an artist on a mission. Quick caution: Spending $$ paying for it is unlikely to get you anywhere.
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Christa Terry, Arts Editor retweeted
🤩🤩 Rediscovered handwritten manuscript of Dr. Martin Luther King Jr.'s 1963 speech heads to auction at Chrstie’s and is expected to get $10 mln artdaily.cc/news/202071/Re…
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Christa Terry, Arts Editor retweeted
In today's luxury market, money can secure a reservation, a hotel room or a ticket to a major cultural event. But the most valuable opportunities still depend on relationships, judgment and someone credible willing to vouch for you. trib.al/vSXe1yT
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Christa Terry, Arts Editor retweeted
Artnet reports that the nonprofit printmaking organization Print Center New York (PCNY) has announced the appointment of Yukiko Yamagata as executive director. She began the role on November 9 and succeeds Judy Hecker, who led Print Center for a decade.
artforum.com/news/yukiko-ya…
artforum.com/news/yukiko-ya…
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Christa Terry, Arts Editor retweeted
The gallerist-turned-academic’s debut traces the complex ways art has followed capital, and capital art, since the Renaissance. trib.al/8cOKHTY
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Christa Terry, Arts Editor retweeted
Important.
Loans aren't only for Old Masters. Smaller university museums, galleries, etc sometimes need works related to a theme.
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Loans aren't only for Old Masters. Smaller university museums, galleries, etc sometimes need works related to a theme.
👇
What Collectors Should Know Before Saying Yes to a Museum or Gallery Loan observer.com/2026/11/art-co…
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Ocean Vuong On Asking Questions Without Answers observer.com/2026/07/author…
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Christa Terry, Arts Editor retweeted
The Julia Stoschek Foundation will reopen in its Düsseldorf space in April 2027, just in time for the organization’s 20th anniversary. “Selfish in Bed”—a group exhibition curated by Krist Gruijthuijsen—will inaugurate the newly renovated galleries.
artforum.com/news/julia-sto…
artforum.com/news/julia-sto…
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Christa Terry, Arts Editor retweeted
« Assez de morts ! Plus personne ne doit tomber ! » Quelques jours avant l’armistice de 1918, Käthe Kollwitz, l’une des plus grandes dessinatrices du XXᵉ siècle, lance cet appel dans une lettre ouverte. Quatre ans plus tôt, son fils Peter, engagé volontaire dans l’armée Belgique. Il avait dix-huit ans.
Grande admiratrice d’Émile Zola, l’artiste allemande grave une scène de Germinal. Bien avant de perdre son fils, elle donne déjà un visage à la misère, à la faim, à la souffrance. Après la mort de Peter, elle ne cesse de s’engager pour la paix et de représenter ces corps tétanisés par la douleur.
Pour son cycle La Guerre, elle trouve dans la gravure sur bois la justesse qu’elle cherche. Elle peut réduire un visage à quelques griffures et faire surgir la souffrance dans une main crispée, un dos courbé. Dans Les Mères, les silhouettes se fondent dans un même bloc noir. Quelques traits blancs suffisent à faire apparaître les bras qui s’enchevêtrent et les mains qui s’agrippent. Les femmes font corps autour de leurs enfants comme pour les empêcher de partir au combat.
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What Collectors Should Know Before Saying Yes to a Museum or Gallery Loan observer.com/2026/11/art-co…
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Christa Terry, Arts Editor retweeted
I wrote about this important women’s sculpture park in London for @observer a couple of years ago. It's an essential part of the capital's art landscape and needs to be protected. theguardian.com/artanddesign/2…
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Christa Terry, Arts Editor retweeted
For the @observer: I wrote about the ups and downs (and downs) of Princess Margaret — in my latest #SocialiteStudies 🍸column. Click below. observer.com/2026/08/social…
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Christa Terry, Arts Editor retweeted
Want to find good art? Ask an artist. Want a good book? Ask a novelist.
@observer did.
@observer did.
Through very different lenses, these books examine the allure of what might have been. #books #reading observer.com/list/author-lo…
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Christa Terry, Arts Editor retweeted
Collect art? Join the @Observer Collectors Circle: observer.com/observer-colle…
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